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Leonardo da Vinci — St. John the Baptist




The name Leonardo da Vinci is enough to inspire, as he is the genuine spirit of Renaissance — The Universal Man — whose works are known even in the most remote corners of the globe. St. John the Baptist is a picture that is not among the master’s most renowned, yet it has earned a reputation as one of the best works of art. This is regarded to be da Vinci’s final work, produced between 1513 and 1536.



An Introduction to St. John the Baptist



St. John the Baptist is known for wearing camel skin, eating locusts, and drinking honey. All four canonical gospels mention him. He saw Baptism as a chance for people to repent of their sins and receive pardon. St. John prophesies the arrival of Jesus Christ, who baptizes the faithful with the Holy Spirit, according to Mark’s Gospel. Later on, he is the one who baptizes God’s son in the Jordan. John was subsequently revealed to have been decapitated and his head presented as a gift. His followers laid his body to rest. John records the first event in Jesus’ life, i.e.



Analysis of St. John the Baptist



St. John was seen as a frail guy who survived in the desert by relying on natural resources. Leonardo, on the other hand, depicts him as a powerful guy with a fair skin. The sole light in the artwork is the lighting of the body, implying that individuals who have entire trust in God are neither feeble nor dull. The mysterious look on St. John’s face perplexes the observer, making it impossible to determine whether Leonardo da Vinci based his painting on a man’s or woman’s face.The loosely tucked in soft left hand mimics a woman’s demeanor. Many commentators argue that the person in da Vinci’s picture is a hermaphrodite because of the solid right hand pointing to the sky, which has a modest muscular tone.


Although such mysterious figures are common in da Vinci’s paintings, it is exceedingly implausible that a man of his faith and intellect would depict St. John in this way. Leonardo created the painting in his latter years, indicating that he had a thorough awareness of St. John’s importance in Christianity. As a result, the inferences concerning the “hermaphrodite” features in the picture — St. John the Baptist — may be ruled out.


The usage of opposing forces, such as darkness and light, allude to the ongoing conflict between the righteous and the sinful. With a hand gesture, St. John responds to this ongoing conflict. In the backdrop, one can see St. John holding a Reed Cross in his left hand. These two elements indicate the only way to discover redemption, which is to know God.





The usage of opposing forces, such as darkness and light, allude to the ongoing conflict between the righteous and the sinful. With a hand gesture, St. John responds to this ongoing conflict. In the backdrop, one can see St. John holding a Reed Cross in his left hand. These two elements indicate the only way to discover redemption, which is to know God.


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